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Creation or emphasis of rhythm and punctuation. Mood and atmosphere (often best conveyed through the realistic details you have invented these are generally more specific and interesting than "blue for sad".) 4.
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(if not given in the play, it is often a good idea to invent them.) 3. Indication of time and place (and any other realistic details necessary). Selective visibility: illumination and focus. Punctuation: The blackout at the end of a climactic musical number! The slow fade to black.ġ. A case could be made that revelation of form is part of composition or mood however, it's important enough (in some productions, at least) to be a standalone function.ħ. In some productions, you might want a "flat" look in others – particularly in dance – you might want a more sculpted look. Revelation of Form: Decide on the level of 3-dimensionality you want the audience to see. If the sets and/or costumes are sculpted and lush, we might light them so as to highlight their 3-dimensionality.Ħ. We reinforce the work or the set and costume designers: We might use colors that flatter or complement those used by our colleagues. The lighting designer can reinforce this by providing the first rays of dawn. We reinforce the playwright's text: In A Midsummer Night's Dream, Puck has the line, "And yonder shines Aurora's harbinger," meaning the dawn. Reinforcement: What are we reinforcing? Everything. It's the same quality that Stephen Colbert refers to as "truthiness". Plausibility: Sometimes called "realism", but that's not always accurate, since not all plays – and certainly very few ballets, modern dance pieces, and operas – are realistic. Composition: The act of painting a picture, in this case, with light. Many designers err in paying attention to mood to the point where visibility is sacrificed. Mood: (or "atmosphere") "Mood" is the evocation in the audience of the appropriate emotion. This doesn't mean that the audience must see everything all of the time a German director named Max Reinhardt once said that, "The art of lighting the stage consists of putting light where you want it and taking it away from where you don't want it." 2. Studies have shown that visibility affects our ability to understand spoken speech. Visibility: If the audience can't see the actors, everything else the lighting designer does is a waste of time. There is no one "right" way to do anything in theatre the only wrong way is that which is unsafe, unethical, or illegal.įunctions of Stage Lighting Qualities of Light Glossary Reflections and Reflectors Lenses Fixtures Lighting Angles Color Mixing Photometrics The Inverse Square Law Electrical Formulas Safety Links Online Forums Acknowledgements About the AuthorsįUNCTIONS OF STAGE LIGHTING Jeff's Note: While most textbooks teach that there are four functions of stage lighting, I believe there are seven:ġ. If any material on this site contradicts something that your professor or instructor has told you, go with what you've learned in class (you will certainly get a better grade that way). No web site can be all things to all syllabi.
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NOTE TO STUDENTS: Design philosophies vary widely and so do teaching methods. STAGE LIGHTING FOR STUDENTS BY JEFFREY E.